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edward.maurath

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
Bassoon Continuo	14	0	3	5	100%
Bass as Raymondo	17	0	5	8	75%
Oboe	8	0	2	3	71%

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
Bassoon	19	0	6	8	100%
Bassoon Continuo	24	0	9	6	100%
Contrabassi Continuo	19	0	7	5	100%
Inferred Bassoon	23	0	7	6	100%
Viole	16	0	4	7	100%
Violini 1	20	0	8	6	100%
Violini 2	17	0	7	6	100%
Violoncelli Continuo	20	0	7	5	100%
Alti	10	0	4	7	83%
Soprani	14	0	5	7	83%
Bassi	16	0	5	7	79%
Tenori	12	0	4	7	76%
Oboe 1	12	0	3	7	72%
Oboe 2	15	0	6	7	72%

HWV7A2N4b - "Il Tricerbero humiliato"

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
Contrabasses	21	0	5	9	100%
Violins 1	21	0	4	9	100%
Violins 2	19	0	4	9	100%
Violoncello	21	0	5	9	100%
Violoncellos	21	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%

HWV56N48 - The Trumpet shall sound

edward.maurath

6:43	Est. Play Time
215	Measures
	1,825Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
	24	43	7	7	90%
Bass Voice	16	0	4	8	70%
Trumpet	9	0	1	7	64%
Viola	14	0	1	6	52%
Violin 1	14	0	1	6	52%
Violin 2	11	0	1	6	52%
Violoncello Continuo	16	0	1	6	52%
Violone Continuo	15	0	1	6	52%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

HWV8A1N7 - "Lontan del mio tesoro" in C Major

edward.maurath

5:20	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	40	3	8	70%
	23	24	4	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	40	3	8	70%
	23	24	4	5	100%
Violoncello	20	0	3	5	100%
Mirtillo	17	0	6	6	76%
Contrabasses	8	0	0	5	10%
Viola	9	0	0	4	10%
Violins 1	9	0	0	5	10%
Violins 2	10	0	0	4	10%
Violoncellos	8	0	0	5	10%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%

HWV26A1 - Se il mar promette calma - G Major

edward.maurath

4:08	Est. Play Time
65	Measures
	1,469Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	41	6	4	87%
	26	17	7	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	41	6	4	87%
	26	17	7	4	98%
Viola	22	0	7	3	97%
Violino 1	23	0	6	7	97%
Violino 2	24	0	7	6	97%
Double Bass Continuo	22	0	7	3	95%
Violoncello Continuo	23	0	7	3	95%
Bass as Clodomiro	17	0	6	8	75%
Bassoon Continuo	23	0	7	4	75%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
Viole	18	0	4	8	83%
Contrabassi Continuo	25	0	10	10	81%
Violoncelli Continuo	25	0	10	10	81%
Bassoon Continuo	26	0	10	10	45%
Oboe 1	22	0	8	9	45%
Organo	16	39	5	9	40%
	20	1	5	9	41%
Cembalo Continuo	17	42	5	6	30%
	20	4	3	6	30%
Oboe 2	18	0	5	7	26%

HWV61A2N46 - Regard, O son, my flowing tears

edward.maurath

6:48	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	58	7	7	99%
	33	57	13	8	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	58	7	7	99%
	33	57	13	8	99%
Cello	23	0	7	10	98%
NITOCRIS	16	0	6	9	76%
Violin	23	2	9	9	71%
Violoncellos	17	0	5	9	69%
Violone	17	0	5	9	69%

HWV19N9 - Sinfonia in g minor

edward.maurath

1:00	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
Bassoon Continuo	16	0	2	5	100%
Contrabass Continuo	16	0	2	5	100%
Viola	12	0	1	5	100%
Violoncello Continuo	16	0	2	5	100%
Vln 1	14	0	3	8	100%
Vln 2	13	0	3	7	100%
Oboe	19	0	5	8	94%

HWV19A1N0 - Hò perduto il caro sposo

edward.maurath

6:39	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
Cembalo Continuo	17	38	7	6	94%
	22	11	5	6	99%
Violoncello Continuo	19	0	5	6	99%
Violini 1	19	0	5	7	85%
Contebass Continuo	17	0	5	6	83%
Viola	16	0	5	6	83%
Violini 2	15	0	3	7	83%
Soprano as Rodelinda	17	0	7	8	68%

HWV19A1N0 - Hò perduto il caro sposo

edward.maurath

3:45	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
Cembalo Continuo	17	38	7	6	95%
	22	11	5	6	99%
Violoncello Continuo	19	0	5	6	99%
Violini 1	19	0	5	7	85%
Contebass Continuo	17	0	5	6	84%
Viola	16	0	5	6	84%
Violini 2	15	0	3	7	84%
Soprano as Rodelinda	17	0	7	8	72%

HWV26A3N11 - Alza il Ciel pianta orgogliosa - d minor

edward.maurath

5:31	Est. Play Time
100	Measures
	1,239Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	8	6	90%
	27	40	9	6	99%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	8	6	90%
	27	40	9	6	99%
Bassoon Continuo	26	0	8	6	99%
Violin	31	0	12	6	68%
Violoncello Continuo	23	0	7	5	68%
Violone	23	0	7	5	68%
Bass as Clodomiro	17	0	5	8	63%
Oboe	24	0	7	5	41%

WQ40 - iphignie en aulide (Gluck)

edward.maurath

8:14:19	Est. Play Time
4517	Measures
	57,351Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	609	29	13	97%
	58	373	40	11	96%
View all 26 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	609	29	13	97%
	58	373	40	11	96%
Iphigénie	21	0	15	11	18%
Achille	19	0	11	9	18%
Soprano	20	0	7	9	16%
Alto	19	0	6	9	15%
Clytemnestre	20	0	13	8	15%
Ténor	11	0	4	4	0%
	6	0	0	4	0%
	18	0	10	9	15%
Basse	13	0	3	4	0%
	19	0	9	9	15%
	15	0	2	7	1%
Agamemnon	20	0	12	8	13%
Calchas	20	2	10	8	2%
Patrocle	14	0	4	6	1%
1ʳᵉ Grecque	16	0	4	6	1%
Arcas	11	0	4	5	1%
Diane	16	0	6	7	1%
Grec	8	0	1	5	0%
Ténor 1	8	0	1	6	0%
Ténor 2	9	0	1	6	0%
2ᵉ Grecque	11	0	1	5	0%
3ᵉ Grecque	10	0	2	5	0%
Femme de la suite d’Iphigénie	10	0	0	5	0%
Esclave Lesbienne	7	0	0	3	0%